Studio equipment. Saint Cloud is Crutchfield’s country/Americana record. But on Likewise, Quinlan hashed everything out with just Reinhart in the studio, giving the tracks more space to breathe than ever before. 20. Within 10 seconds, you know—without a doubt—it’s a Waxahatchee album. Their half-hearted performance brought to mind the women in the background of Robert Palmer videos, who serve as ornamentation at best. Instead, she started writing, and didn’t stop for months. Eight years later, things are wildly different. Effervescence is a key ingredient in all their music, but The Prettiest Curse’s bubbliness is more pronounced, the froth that shapes the band’s rising to the surface in a slightly broader coating. —Steven Edelstone, Rarely when uttering the words “for better or for worse” on their wedding day do couples really consider the latter half of that sentiment. Follow our countdown of the 50 best albums of 2020 It’s no wonder he titled his now classic sophomore record Lonerism: Those 12 songs document the internal anger, anxiety and social self-sabotage of a man who so badly wanted to be personable and in love, but was legitimately unable to even muster up the courage to talk to a woman he was interested in. Written, recorded, produced and mixed in Leithauser’s cramped, DIY New York City studio The Struggle Hut, the album achieves a powerful sense of place, capturing the city and its innumerable narratives—NYC is well-trod creative territory, to say the least, and could have easily made for a mundane effort in the hands of a lesser songwriter. Facebook10LikeShareTweet With this being the year of the pandemic, many indie rock bands and artists’ 2020 releases were simply ‘missed’ as indie music fans’ lives were turned upside down. ... the best 50 albums from this year have something for everyone. Because you’ve been there (probably), and because Bridgers has been there, too, and she knows how to make this song about a stranger’s overdose into a highly relatable moment. The intimacy of the story is bolstered by the album’s production and Shauf’s deft instrumentation. It’s quite incredible that Quinlan managed to make the song so unrecognizable that I listened to the whole thing without even realizing it was a cover of the legendary Boise, Idaho indie band’s biggest hit. To call it an early contender for the year’s best indie rock album wouldn’t be an exaggeration. As a concept album, it documented the titular event, exploring vignettes about all of the party’s various attendees. These kinds of details ground her work in the same way shading makes a still life painting pop. From the culture-shaking event that was Fetch the Bolt Cutters to the lesser-known records we’ve fallen in love with this year, here are the best indie rock albums of 2020 so far. Rose pithily skewered the objectification women must put up with when they enter the limelight and further criticizes the music industry in the accompanying video. That’s particularly obvious on “The Alarmist,” as Hall nearly whispers the final line of the first verse: “I whisper to myself / Then I’m spinning it half around / Like an echo / A faraway sound / Saying, ‘be good to me.’” Though the first stanza makes it seem like this is a song about the breakdown of a relationship and Hall’s inability to communicate effectively, that raw “be good to me” refrain feels wholly personal, directed towards himself and no one else. Throughout “In August,” she looks back despondently on the fallout of a once-strong companionship: “I have lost your friendship / What does that say about me?” As pillowy synths burst into a mournful geyser of sound, the track takes on a rejuvenating air. Scott remains an improbably vivid writer both lyrically and melodically; throughout Silver Tongue, she takes desire and infatuation as her subject and icy synthesizers as her instrument of choice. Fetch the Bolt Cutters is finally here, and it’s another miraculous case of bottled lightning. Set My Heart on Fire Immediately, the fifth studio album by Perfume Genius, boasts the best album title of 2020. Eliot, searing, Dylan-esque vocal delivery, chiming guitars straight off Out in the Storm, pastoral folk not unlike that of her 2018 EP Great Thunder. But Shadow Talk, the second album from Chicago experimental five-piece Cafe Racer, reaches heady emotional and sonic heights, not by leaning on overused effects or sprinkling meaningless, abstract imagery, but by expecting more out of a song and its lyrics. Katie Crutchfield’s new sobriety led to a move away from rollicking indie and toward a calmer, Americana-informed sound that reels you in. Headlining festivals and writing for pop and rap stars, Kevin Parker is finally confident. The 10 Best Indie Rock Albums of 2020. On “Blinking Light,” a synth-pop ballad that flows like a gentle stream, Rose describes circling the drain and leaving texts unread, and though the image of a neglectful Rose is bleak, the song’s slow glide toward her belting away her agony is equally somber and invigorating. Discover the best new indie, rock & alt music in our April compilation! The word “indie” once strictly implied “independent,” meaning the release, be it a film or album or what have you, was put out without the money and resources that come along with a major label (your Atlantics, Columbias, etc.) —Scott Russell, Dan Bejar’s songs often sound like part of the soundtrack to a movie that exists only in his mind. On Loner, Rose placed the system surrounding fame and celebrity squarely in her crosshairs. —Lizzie Manno, In 2017, Waxahatchee’s Katie Crutchfeld quite literally blew the music world away. Doves - 'The Universal Want' 19. Settling on even the best 15 indie rock records proved quite the task. Now, though, as her star is rising, Rose has turned that critical eye inward. Success neither curing mental illness nor reversing a parent’s medical death sentence is a lot for a 22-year-old to face, but Allison is more than up to the task. The best albums of 2020 so far. —Steven Edelstone, In April 2018, Mackenzie Scott, the preternaturally talented songwriter who records under the name TORRES, announced on Twitter that her storied label, 4AD, had dropped her from a planned three-album deal “for not being commercially successful enough.” It was an upsetting blow, particularly given the strength of TORRES’ third album, Three Futures, an alluring art-pop concept album examining bodily pleasure with Kraftwerk and CAN as aural reference points. It’s an astute pivot for Rose, and an indicator that she is anything but your typical ascendant artist. In the case of our present moment, the year’s best indie rock albums are a healthy mix of extremely-indie albums, higher profile events and everything in between. You’re not seeking a partner for a pleasure cruise, but rather for an intrepid, Magellan-style circumnavigation, in which sailors get scurvy or fall overboard because they mistook a manatee for a mermaid. Following Clean, Soccer Mommy (real name Sophie Allison) became especially vocal about her struggles with body dysmorphia, depression and anxiety. Visit Juno Studio. Seemingly in direct response to those criticisms, Julian Casablancas and co. have avoided anything resembling musical consistency on every Strokes release since. —Lizzie Manno, Marigold is the first true collection of Pinegrove songs that addresses (or doesn’t) the events that have unfolded since lead singer Evan Stephens Hall’s admission of sexual coercion in late 2017 via a Facebook post. Moore herself never learned to swim, just as most of us are not taught how to navigate the choppy waters of grief and strife. For the public to forgive him for his past misdeeds (if it ever will), he needs to forgive himself first to find a way forward. The top 20 are: 20. Hinds’ usual fuzzed-up rock aesthetic bridges the gap between The Prettiest Curse and I Don’t Run nicely. The words “I’m not knocking,” even when spoken out of context, will get “Carry the Zero” stuck in one’s head for hours. ... self-titled album is more indie-rock than anything else, it could be safely argued. Everything Indie Music related; from the newest releases and news, to discussion on … Most of the songs here feel a bit rougher around the edges, which is partly what gives them so much charm. 100% Secure Shopping. Sundara Karma – Ulfilas’ Alphabet. December 3, 2020 Lis Sinatra. Superstar tells a fictionalized, though autobiographically-inspired, story about an up-and-comer seeking a life of stardom, critiquing the protagonist’s self-centered aspirations. Saint Cloud is a whole new world. —Clare Martin, Fans of Rolling Blackouts C.F.’s The Go-Betweens-indebted, jangle-pop-tinged guitar-rock will find themselves on familiar ground on Sideways to New Italy. It seems Hall realized yelps and screams don’t necessarily attract the most attention; he now recognizes that by being even more vulnerable than ever before, he’s capable of producing his finest songwriting yet. Gone were the fortified bedroom pop of 2015’s Ivy Tripp, the rock-tinged freak-folk musings of her 2013 stunner Cerulean Salt and the brainy lo-fi recordings of her 2012 debut American Weekend. The majority of this year's best indie rock albums feature guitars at the forefront. “I don’t forgive you,” she sings as a horn arrangement crests over this mind-numbing scene, “but please don’t hold me to it.” Later, in “Moon Song,” Bridgers traces the blurry boundaries of a complicated relationship before laying it all out in the final verse: “You are sick and you’re married and you might be dying,” she sings over a small crescendo, “but you’re holding me like water in your hands.” —Ben Salmon, Although Soccer Mommy’s 2018 debut studio album Clean transformed her into a critical favorite, indie-rock leader and tour opener for Paramore, Kacey Musgraves and Vampire Weekend, anyone who’s grappled with mental illness knows that success isn’t a salve. Compounding that was the fact – in most cases – indie bands were unable to promote their releases with live shows. The album often resembles a reversion to her sparser early work and away from the cavernous jolts of her more recent output. illuminati hotties - FREE I​.​ H: This Is Not The One You've Been Waiting For. Again. As Rose embraces her craft’s most hermit-like aspects, she consolidates her longtime fascinations with change and disconnectedness into grim portraits of whom she becomes when she doesn’t maintain her closest relationships and properly tend to (the ever-marketable art of) self-care. Lola Versus Powerman And The Moneygoround, Part One (Remastered Expanded 50th Anniversary Edition), Daniel Romano's Outfit - How Ill Thy World Is Ordered, illuminati hotties - FREE I​.​H: This Is Not The One You've Been Waiting For, Catholic Action - Celebrated By Strangers, Hamilton Leithauser - The Loves of Your Life, Young Jesus - Welcome to Conceptual Beach, ...And You Will Know Us By the Trail of Dead - X: The Godless Void and Other Stories, The Airborne Toxic Event - Hollywood Park, Users' Highest Rated Indie Rock Albums of 2020. —Steven Edelstone, With The Loves of Your Life, former The Walkmen frontman Hamilton Leithauser expands his scope in a searching spirit, satiating his hunger for connection with the stories of others. 2020 is going to be another exciting year for the indie music scene and the beginning of a new decade. With lots of new albums from bands such as Bombay Bicycle Club, Twin Atlantic, Blossoms or The 1975 in the making, 2020 promises to … The album’s clear standout (and one of the year’s best songs), “Kyoto,” features Bridgers’ crunchiest guitar riffs yet, a soaring chorus and the travails of dealing with someone who can’t quite get their shit together juxtaposed with a wander through a 7-11 and trip to the suburbs to stare at chemtrails. Best Rock And Indie Albums Of 2020. View reviews, ratings, news & more regarding your favorite band. To say the album is derivative is to miss the point. Our full range of studio equipment from all the leading equipment and software brands. But rarely does an artist deconstruct and completely transform a beloved song to the extent that Frances Quinlan does with “Carry the Zero,” the Built to Spill classic that landed at number two on Paste’s best songs of 1999 list. Yet, it’s different from anything she’s ever released before. Apple has never been one to deliver approachable melodies or catchy choruses—she repeatedly serves us the abnormal, in all its twisted glory, with minor chords and off-kilter rhythms, often constructed with everyday objects rather than musical instruments. It runs on twang, jangle, truth and wide open spaces; on the album cover, Crutchfield, dressed in a billowy baby-blue frock, sprawls across an old Ford truck bearing a license plate from her native Alabama. It’s kind of a “know-it-when-you-hear-it” situation. Probably, but maybe in a much different way than you were likely expecting from a Tame Impala record. After recruiting three more full-time members—Shannon Connor (guitar, keys), Logan Severson (guitar/backing vocals) and Brendan Manley (drums)—and signing to Saddle Creek for their debut album, Disq were fully equipped to bring their distinct charm and varying influences to life. Discover and listen to new music releases and 2020's best new album releases this week and every week here. New Releases Now - Sign up to find top new songs of 2020 and videos from the best new 2020 albums! One of this year’s highlights arrived early in … He and bassist-producer John Collins (former bandmates in The New Pornographers) take it to the extreme on Destroyer’s latest, Have We Met, on which the only actual instruments are electric guitar and bass—and a whole lot of electronic accompaniment, including synthesizers, keyboards and beats. She considered leaving music altogether. Their second album’s roots run deep through their creative output to this point: The chords of b-side standout “Cameo” originally belonged to Hope Downs’ abandoned title track, while the chorus of closer “The Cool Change” first appeared in a song Tom Russo, White and Keaney performed in a previous band back in the 2000s. The 50 Best Albums of 2020. Optimism led him astray. Superstar proves itself a tightly knit satire of celebrity, effective thanks to Rose’s sharp storytelling and her calculated use of distortion, which highlights the artificial quality of the protagonist’s new surroundings. —Eric R. Danton, Let’s face it: In 2020, nobody is expecting a new Strokes album to compete with the band’s classic, essentially perfect first two albums. While earning their stripes as an opening band, playing with acts like Shame, Jay Som and Girlpool, it was hard to determine which direction they would go since their shows were much punkier than any of their recordings up until that point. ... and Lilly Hiatt dove headfirst into R.E.M. They want us to know that it’s okay to not have all the answers, and it’s okay to feel contradictory emotions. Now, Shauf is following up his 2016 effort with The Neon Skyline, another concept album about a couple of friends on a night out at the pub. The following is a list of albums released or scheduled for release in 2020.These are notable albums, defined as having received significant coverage from reliable sources independent of the subject. On 2014’s KOTEKAN and 2016’s Probable Depths, Rose’s strings, pianos and powerful mezzo-soprano provided an appropriately plaintive background for her ruminations on distance and personal growth. —Ellen Johnson, Fiona Apple engages our minds like no one else. She shakes and shimmies as a smarmy male singer, while bikini-clad babes dance behind her or unconvincingly “play” instruments. Quinlan’s ability to bend the track to her will—featuring a bouncy synth later complemented by twisted, harsh guitar screeches—is ingenious and indicative of Quinlan’s ability to experiment outside of her main sound. It can be difficult, at times, to make out what exactly she’s getting at in any given verse, but there’s an overwhelming sensation that what she’s singing is vastly important. Angles’ “Taken for a Fool,” Comedown Machine’s “All the Time” and a handful of Impressions songs suggested that our leather-clad early-aughts heroes might still possess a flicker of their initial spark. July … Through scratchy indie rock (“Don’t Ask Me Twice,” “Give/Take”), grand punk (“Lilac”) and even auto-tuned pop (“Something”), Porridge Radio take pop songs much further than listeners might’ve thought possible. There are moments of wonder and discovery, but often those are bookended by rough seas. As an example, look back to “Funeral,” one of the highlights of Bridgers’ 2017 debut Stranger in the Alps. They’re also masters of grooves both meditative and invigorating, and they experiment with foreground and background sounds in mind-numbing ways. That magic reappears in flashes on The New Abnormal—the first Strokes release since Future Present Past and their first full-length in seven years—but even if the album’s strong songs are among the liveliest, most effortless music the band has made in over a decade, their bursting energy only modestly offsets the LP’s many sharp lows. Stephen Malkmus - 'Traditional Techniques' … Swimmer was borne from this heart wrenching period of time, a fitting name considering the sailing motif in Tennis’ discography (Cape Dory recounts their post-college sailing trip along the East Coast, and most of Yours Conditionally was written during their journey at sea from San Diego to the Sea of Cortez). How do we make things better and dig ourselves out of a hole—especially if we don’t see the hole or if that hole has become comfortable? It’s a moody, empathetic album, bolstered by repetition and the palpable scenes they create, whether that’s an imagined, heavenly gorge or the melancholy urban landscapes you traverse every day. have been used interchangeably in the past decade. In Fetch the Bolt Cutters’ case, these psalms beam clearer than ever before. That stylized artificiality has been an unspoken running theme in Bejar’s music as Destroyer, at least since Kaputt in 2011. She’s said as much. Every aspect of the central storyline—an ex randomly showing up after moving out of town, bad jokes, drunken ramblings—feels like it could be happening at your local dive just a couple blocks from your apartment. Instead of aiming to melt the brains of tens of thousands of twenty-somethings in a field on psychedelics (though this likely still will, let’s be honest), Parker instead turns his eye toward dancehalls, replacing fuzzy guitars and impressive percussion with bouncy piano and dance-y synths. Those kinds of moments pop up all over Punisher, which is generally noisier and more upbeat than its predecessor. The Best Indie Rock Albums of 2020. In comparison to the expansive sound of his recent work with indie four-piece Foxwarren, the woozy woodwind, warm piano and guitar (all played by Shauf himself) come across as if they are being played in the small back room of a bar. Shauf’s storytelling and uncanny realism have long been the linchpin of his appeal as an artist, though his previous release, The Party, showcased his talent on a whole other level. She doesn’t like to do what is expected of her. Hear the hot songs of the year and all important new cd releases of 2020 in one place. It’s not a set of sugary hooks designed to crack the Discover Weekly algorithm: The record, which is self-produced, sacrifices no ounce of Scott’s sharp-angled, emotionally explosive songcraft. Beabadoobee – Fake It Flowers [Dirty Hit] Fake It Flowers, the debut from the British singer-songwriter Bea Kristi, is such an earnest homage to the 1990s that it's hard to find fault with it. Marigold also follows Skylight’s tendencies to aim for a softer, more delicate, more intimate sound than anything on Cardinal. Most of life’s darkest days often occur after two people have committed themselves to one another: Loved ones fall ill or die, responsibilities mount and any number of unexpected catastrophes may land on your doorstep. Over the course of Half Waif’s discography, Nandi Rose’s music has expanded from bucolic soundscapes into icier portraits. Not so with The Prettiest Curse. —Clare Martin, Some psychedelic albums reach a hypnotic end cheaply. Over the last 25 years, she has made five albums that have all—in due time—ascended to holy text status, even if it took some longer than others to come around to her genius. 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