Vertumnus And Pomona : Ovid's Metamorphoses, Book 14 [v. 623-771] poem by Alexander Pope. The fresco surrounds a lunette, high in a barrel-vaulted central hall.The allegorical figures over the doors and the facing fresco depicting Julius … To her the shady grove, the flowery field, 5: The fair Pomona flourishd in his reignOf all the Virgins of the sylvan trainNone taught the … It was then with the Jacques Goudstikker gallery in Amsterdam and with Auslander & Wittgenstein in New York, from whom it was acquired by Baron Hans Heinrich Thyssen-Bornemisza in 1983. Pomona was of this class. Artist/Maker: Attributed to Cesar van … One interpretation of this fresco is that the allegory delicately counterposes the turns in the myth using a mirror fashion in each hemi-lunette by depicting a contrast of the elder-faced Vertumnus with the rapt Pomona, the youth with a basket and a turning maiden, and finally, the naked man aloft on the fence picking fruit from the same tree from which, at a distance, the maiden trims a branch while clothed in a red dress that suggests arousal. The fresco surrounds a lunette, high in a barrel-vaulted central hall. Opposite was an elm entwined with a vine loaded with swelling grapes. Pomona by rejecting even Vertumnus’s constant advances represents virtue whilst Vertumnus by persevering despite constant rejection shows just how difficult virtue is to obtain…. Vertumnus and Pomona Edit. Vertumnus enters Pomona's grove in order to convince her of his love. First Published 2019. She praised the tree and its associated vine, equally. The Myth of Vertumnus and Pomona The story of Vertumnus and Pomona is featured in the book entitled 'The Age of Fable, or Stories of Gods and Heroes' by Thomas Bulfinch. Joseph Brodsky wrote a poem about Vertumnus. Vertumnus and Pomona. Mme de Pompadour, who sang well and danced gracefully, played the role of Pomone in a pastoral presented to a small audience at Versailles;[15] the sculpture by Jean-Baptiste Lemoyne (1760) alludes to the event. [16], Conversely, Roxanne Gentilcore reads in its diction and narrative strategies images of deception, veiled threat and seduction, in which Pomona, the tamed hamadryad now embodying the orchard, does not have a voice. Daniel P. Harmon, "Religion in the Latin Elegists", Michael C. J. Putnam, "The Shrine of Vortumnus". In his poem about the god, Propertius has the statue of Vortumnus speak in first-person as if to a passer-by. The myth is that of Pomona, a beautiful but aloof wood-nymph, shown with a sickle at right lower corner, who sheltered herself inside her orchard, dedicating herself to its cultivation while spurning all suitors. Aert de Gelder Vertumnus and Pomona 93.5 x 122 cm Oil on canvas Narodni Galerie, Prague Oil on canvas Narodni Galerie, Prague The story of Pomona and Vertumnus (or Vertomnus) is described in Ovid's Metamorphoses 14:623-697 and 765-771). [1] The villa is set among orchards and gardens, and in summer, served as a retreat from the heat in Florence. So complete was the goddess Pomona's devotion to her orchards and gardens that she spurned the many suitors who courted her. The imagery is an apt choice for this rural farm, however. In the various attempts at interpretation thus far, each of the three male figures has been identified as Vertumnus, and each of the female ones as Pomona. Details. The art of tapestry attained its peak with sixteenth century production from Flemish workshops, primarily through Brussels production, where the themes were often inspired by greco-roman mythology. It was then with the Jacques Goudstikker gallery in Amsterdam and with Auslander & Wittgenstein in New York, from whom it was acquired by Baron Hans Heinrich Thyssen-Bornemisza in 1983. According to the story, Vertumnus was in love with the beautiful Pomona, who was devoted to gardening and uninterested in courtship. Last edited on 20 November 2020, at 14:59, Learn how and when to remove this template message, Preliminary drawing showing larger figures, https://en.wikipedia.org/w/index.php?title=Vertumnus_and_Pomona_(Pontormo)&oldid=989703891, Creative Commons Attribution-ShareAlike License, This page was last edited on 20 November 2020, at 14:59. The Fable of Vertumnus and Pomona . And of course in the process , when you’re not staring at priapic satyrs or bare-breasted maidens being kissed by old ladies then the images that illustrate the story also reveal a lot about gardens and garden design! He was a shapeshifter, who took the shape of an old woman, in order to speak to the young goddess Pomona. The love story between Vertumnus and Pomona is probably one of the most famous in the Gulbenkian Collection, originating from Ovid’s Metamorphoses.Vertumnus, god of gardens and orchards, responsible for the changing of the seasons, and Pomona, goddess of fruit trees, have been represented many times by various artists, including Peter Paul Rubens. Because she had always run away on previous occasions when he came, he has … Vertumnus und Pomona (met. Title: Vertumnus and Pomona; Creator: Brussels; Get the app. 75.PA.64. Vertumnus, either a demigod of seasons or a satyr, becomes taken with the nymph's beauty, but she ignores and rebuffs all his advances to enter her realm and remains a maiden. Media in category "Vertumnus and Pomona (Anthony van Dyck)" The following 5 files are in this category, out of 5 total. Details. Book The Poems of Alexander Pope. said, and kissed Pomona, not exactly with an old woman's kiss. Vertumnus and Pomona. Vertumnus and Pomona appeared on the art market in 1915 when it was auctioned in Berlin. After Canons was demolished the group went to Stowe in Buckinghamshire, where it functioned as a garden sculpture until it was sold in 1921. Tapestry woven with a classical colonnade framing the two central figures of Vertumnus and Pomona: she carrying a spray of oranges, he with a basket of flowers on his head. The fresco decoration of Vertumnus and Pomona in the Medici country villa at Poggio a Caiano (near Montalbano) was painted by Jacopo Pontormo. It was first discussed in the scholarly literature by Pigler in 1956. The god appeared to Pomona in many guises in an attempt to woo her but on each occasion he was rejected. View in Augmented Reality. Putti garland the window. Pomona was the name of a Roman goddess and a festival held in her honor in early November which probably influenced the development of the modern Halloween. Among them was Pomona, and no one excelled her in love of the garden and the culture of fruit. "[2], Vertumnus' festival was called the Vertumnalia and was held 13 August. He was apprenticed to no less than five different masters, among them his father Cornelis Bloemaert I. He could change his form at will; using this power, according to Ovid's Metamorphoses (xiv), he tricked Pomona into talking to him by disguising himself as an old woman and gaining entry to her orchard, then using a narrative warning of the dangers of rejecting a suitor (the embedded tale of Iphis and Anaxarete) to seduce her. Anton Van Dyck - Vertumnus and Pomona - Google Art Project.jpg 4,135 × … The Fable of Vertumnus and Pomona book (1712) By Julian Ferraro, Paul Baines. He then managed to seduce her and eventually married her. Vertumnus and Pomona. To her the shady grove, the flowery field, 5: The streams and fountains no delights could yield; ’T was all her joy the ripening fruits to tend, Gerbrand van den Eeckhout painted the subject of Vertumnus and Pomona at least three times. In Roman mythology, Vertumnus is the god of seasons, change and plant growth, as well as gardens and fruit trees. Her right hand bore for its weapon not a javelin, but a pruning knife. THE FAIR Pomona flourish’d in his reign; Of all the virgins of the sylvan train: None taught the trees a nobler race to bear, Or more improv’d the vegetable care. DOI link for The Fable of Vertumnus and Pomona. Even with the disguises, she still never paid him the slightest bit of attention. In classical mythology, Pomona was a nymph who grew fruit but did not allow men to enter her orchard. mwinson-alio@christies.com +44 (0)20 7389 2432. This tapestry from the Vertumnus and Pomona set is the fifth panel out of nine, the remainder still belong to the Vienna Museum from which the collector acquired this one in 1938. The stated theme is the classical myth of Vertumnus and Pomona taken from a story in Ovid's Metamorphoses. (lower right) oil on canvas, unframed 51 1/8 x 37 5/8 in. He appeared as a reaper, fisherman and finally as an old woman. Edition 1st … Rembrandt - Vertumnus and Pomona. Vertumnus en Pomona, RP-P-OB-15.709.jpg 5,352 × 7,292; 5.91 MB. She sat down on a bank, and looked up at the branches laden with fruit which hung over her. Art historians have nevertheless tried to see Vertumnus and Pomona in the figures of the fresco. Pontormo initially received the commission from Ottaviano de' Medici and Cardinal Giulio de' Medici, the future Clement VII, and Giovanni de’ Medici (later pope as Leo X). The tale of Vertumnus and Pomona has been called "the first exclusively Latin tale. Item Information. When Vertumnus, the god, disguised in the shape of the old woman, had spoken, but to no effect, he went back to being a youth, and threw off the dress of an old woman, and appeared to Pomona, in the glowing likeness of the sun, when it overcomes contending clouds, and shines out, unopposed. Pomona was the uniquely Roman Goddess of Plenty, and her special provinces were fruit trees, gardens, and orchards. François Boucher French. Thomas Bulfinch's study of Greek and Roman Mythology, was first published in 1855. 14,622-771) met. For the sculpture by Camille Claudel, see Vertumnus and Pomona (Claudel). Antonio Bonazza-Zephyrus Flora Pomona and Vertumn- Upper Gardens of Peterhof.jpg 3,264 × 2,448; … Cesar van Everdingen (Dutch, about 1617 - 1678) 104.1 × 140 cm (41 × 55 1/8 in.) THE FAIR Pomona flourish’d in his reign; Of all the virgins of the sylvan train: None taught the trees a nobler race to bear, Or more improv’d the vegetable care. [17], For the painting by Giuseppe Arcimboldo, see, " Vertumnus then, that turn'st the year about," (, It is called the first exclusively Latin tale by Charles Fantazzi, "The revindication of Roman myth in the Pomona-Vertumnus tale", in N. Barbu. Media in category "Vertumnus and Pomona" The following 22 files are in this category, out of 22 total. The villa is set among orchards and gardens, and in summer, served as a retreat from the heat in Florence. Vertumnus, the Roman god of seasons and change, assumed multiple guises as he attempted to woo the recalcitrant wood nymph Pomona. Click here to navigate to parent product. [1] The villa is set among orchards and gardens, and served in summer as an outdoor respite to the heat in Florence. White marble on red marble base. François Boucher provided designs for the tapestry-weaver Maurice Jacques at the Gobelins tapestry manufactory for a series that included Vertumnus and Pomona (1775–1778). In addition, nearly all Italian painting until that time depicted indoor settings or included urban landscapes, and if not, the landscape was unmemorable sfumato dissipating in the distance. Vertumnus and Pomona : From the Fourteenth Book of Ovid’s Metamorphoses. The gardens and orchards tended by the goddess whom Vertumnus hopes to win are in the background. She never went near the springs, or lakes, or rivers, nor near the wild woods; she cared only for places where grew trees that were laden with fruits. The summer season evoked by the fruit and the reposing figures in the fresco is powerful as well as soothing. In Roman mythology, Vertumnus (Latin pronunciation: [ˈwɛrtʊmnʊs]; also Vortumnus or Vertimnus) is the god of seasons, change[1] and plant growth, as well as gardens and fruit trees. The subject was even woven into tapestry in series with the generic theme Loves of the Gods, of which the mid-16th-century Brussels tapestry at Museu Calouste Gulbenkian, Lisbon, woven to cartoons attributed to Jan Vermeyen, must be among the earliest. Read more Provenance . The Fable of Vertumnus and Pomona . Vertumnus and Pomona. No Interest if paid in full in 6 mo on $99+Opens in a new window or tab* No Interest if paid in full in 6 months on $99+. When he takes the form of a handsome young man, he manages to win Pomona’s heart., As in Cerquozzi’s painting, fruit and temptation are combined here too. Vertumnus and Pomona Camille Claudel (1864 -1943) 1905. Lot Essay The scene depicts the wood nymph … Indianapolis Museum of Art at Newfields Inidianapolis, United States. Pomona, eine passionierte Gärtnerin (lat. Its formation in Latin was probably influenced by the Latin verb vertere meaning "to change", hence the alternative form Vertumnus. perfect 36x24 oil painting handpainted on canvas "Vertumnus and Pomona "N9840. (129.4 x 95.5 cm.) History. Her right hand bore for its weapon not a javelin, but a pruning-knife. Pages in category "Vertumnus and Pomona" This category contains only the following page. 4 Details about perfect 36x24 oil painting handpainted on canvas "Vertumnus and Pomona "N9840. Vertumnus and Pomona appeared on the art market in 1915 when it was auctioned in Berlin. The bronze statue replaced an ancient maple statue (xoanon) supposed to have been brought to Rome in the time of Romulus. Vertumnus and Pomona, Jan Tengnagel, 1617 oil on copper, h 21.4cm × w 29.4cm More details. Vertumnus and Pomona 1710s Oil on canvas, 171 x 119 cm Musée Fabre, Montpellier: Pomona, the classical goddess of fruit, and Vertumnus, the god of transformation, are the main figures in an episode in Ovid's Metamorphoses which is depicted here. Once inside, the myth relates that the disguised Vertumnus convinces Pomona, by means of allusive stories, to "carpe diem" and choose the handsome youth Vertumnus, who finally reveals his true form. As told by Ovid, Vertumnus was a suitor of the goddess Pomona. Vertumnus enters Pomona's grove in order to … Vertumnus, a handsome young man, disguised himself as an old woman to gain entry. She cared not for forests and rivers, but loved the cultivated country, and trees that bear delicious apples. [8] The statue of Vortumnus (signum Vortumni) stood in a simple shrine located at the Vicus Tuscus near the Forum Romanum,[9] and was decorated according to the changing seasons. The fresco decoration of Vertumnus and Pomona in the Medici country villa at Poggio a Caiano (near Montalbano) was painted by Jacopo Pontormo. Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and … The theme of the relaxed near-genre scene gently suggests fertility. The tale of Vertumnus and Pomona has been called "the first exclusively Lat… Pomona, the Roman goddess of fruit, was so devoted to her orchards that she took no notice of suitors. Once, when the kings of the Silvian House reigned over the Latin people, there lived a nymph whose name was Pomona. wall label: The subject of this painting is taken from Ovid's Metamorphoses and concerns the story of Vertumnus who, in the guise of an old woman, tries to convince the unwilling Pomona to accept his love. New York +1 212 636 2000. The goddess Pomona was associated with abundance, the harvest and fruit, especially apples and nuts. Pomona accepted the advice and at this point Vertumnus appeared as his true self - a handsome youth. Vertumnus, the god of changing seasons, fell in love with her, and to be nearer to her, disguised himself as a labourer in her garden. Jacopo Pontormo, Vertumnus and Pomona, 1520–21. [12], The subject of Vertumnus and Pomona appealed to European sculptors and painters of the 16th through the 18th centuries, providing a disguised erotic subtext in a scenario that contrasted youthful female beauty with an aged crone. The fresco decoration of Vertumnus and Pomona in the Medici country villa at Poggio a Caiano (near Montalbano) is a masterpiece by Jacopo Pontormo. 14,765-771: Pomona gibt sich Vertumnus hin. Having travelled to Paris and Amsterdam, in 1593 Bloemaert returned to Utrecht. Vertumnus and Pomona - A Myth with a Moral Vertumnus had the ability to change his form into whatever he wished, so he tried approaching Pomona in various disguises, though none of them worked. A similar theme of erotic disguise is found with Jupiter wooing Callisto in the guise of Diana, an example of which is at the J. Paul Getty Museum. Book The Poems of Alexander Pope. Pergolas are at either side, and figures in a garden below within a scrolling foliate border. [6] Vertumnus' cult arrived in Rome around 300 BC, and a temple to him was constructed on the Aventine Hill by 264 BC, the date when Volsinii (Etruscan Velzna) fell to the Romans. London +44 (0)20 7839 9060. infoasia@christies.com. After Canons was demolished the group went to Stowe in Buckinghamshire, where it functioned as a garden sculpture until it was sold in 1921. Disguised as a wise, old woman, Vertumnus praised his own virtues, … He tried to woo her, at first in vain, but eventually won her heart. Florentine painting, if not portraiture, often was intellectual, academic, and focused on allegory, mythology, or religious themes. In this picture, Vertumnus and Pomona are surrounded by flowers, trees, and fruit, which represents the Earth. He could change his form at will; using this power, according to Ovid's Metamorphoses (xiv), he tricked Pomona into talking to him by disguising himself as an old woman and gaining entry to her orchard, then using a narrative warning of the dangers of rejecting a suitor (the embedded tale of Iphis and Anaxarete) to seduce her. Not currently on view. c. 1643-44, 177 x 218 mm, Pen and bistre, wash, Sale Christie's New York, January 25, 2007, nr. Price: US $178.00. This is an elaborately seductive interpretation for this fresco that was created for a family closely associated with the papacy. When this failed to attract her … Open Content images tend to be large in file-size. Inspired by an Indian play about Sakuntala’s reunion with her husband after a long separation caused by a magic spell, the work was first modelled in plaster circa 1886. Boucher depicts here a well-known story from Ovid's Metamorphoses. POMONA AND VERTUMNUS Once, when the kings of the Silvian House reigned over the Latin people, there lived a nymph whose name was Pomona. The frescodecoration of Vertumnus and Pomonain the Medici country villa at Poggio a Caiano(near Montalbano) was painted by Jacopo Pontormo. Click here to navigate to parent product. Her name came from the Latin word "pomum", which meant fruit.Her festival, which she shared with her husband Vertumnus, fell on August 13. The decoration, typical of Flemish production of the time, comprises a wide border […] David Littlefield finds in the episode a movement from rape to mutual desire, effected against an orderly, "civilised" Latian landscape. Brussels, mid-sixteenth century A mythological composition depicting the divinities of the forest, the gods Vertumnus and Pomona, under a pergola walking to meet one another. Ahimelech gives David the sword of Goliath c. 1680/90 . The god Vertumnus transformed himself into the form of a ragged old woman to gain her confidence. 75.PA.64. Art historians have nevertheless tried to see Vertumnus and Pomona in the figures of the fresco. [3], The name Vortumnus most likely derives from Etruscan Voltumna. He disguises himself as an old spinster who sings the praises of love and of Vertumnus. Title: Vertumnus and Pomona. Though Vertumnus loved her dearly, Pomona rejected the idea of finding a husband. DOI link for The Fable of Vertumnus and Pomona. Govaert Flinck has painted the moment in the courtship when Vertumnus, disguised as an old woman, is … Entitled: Vertumnus and Pomon. It could be a possible explanation of the subject that the young woman at right in the upper part of the wall wearing a wreath of stalks of grain and … Vertumnus and Pomona is a story of seduction and deception from Ovid's Metamorphoses, a popular source of imagery for 17th century Dutch painters. [4] In writing about the Festival of Vesta in his poem on the Roman calendar, Ovid recalls a time when the forum was still a reedy swamp and "that god, Vertumnus, whose name fits many forms, / Wasn’t yet so-called from damming back the river" (averso amne).[5]. The allegorical figures over the doors and the facing fresco depicting Julius Caesar, begun by Pontormo’s mentor, Andrea del Sarto, were completed decades later by Alessandro Allori. She never went near the springs, or lakes, or rivers, nor near the wild woods; she cared only for places where grew trees that were laden with fruits. poma, -orum ~ Obst), hat nichts mit Männern im Sinn, denen … The scene depicts the wood nymph Pomona, protector of gardens, orchards and fruit in her garden beside her suitor, the god Vertumnus. In narrating the tale in the Metamorphoses, Ovid had observed that the kind of kisses given by Vertumnus were never given by an old woman:[13] "so Circe's smile conceals a wicked intention, and Vertumnus' hot kisses ill suit an old woman's disguise".[14]. Earth: Vertumnus and Pomona is an oil painting made by artist Francois Boucher in 1749. Claudel spent huge amount of time in pursuing the ideal and final result she had in … Varro was convinced that Vortumnus was Etruscan, and a major god. Open Content images tend to be large in file-size. Vertumnus had the ability to change his form into whatever he wished, so he tried approaching Pomona in various disguises, though none of them worked. Ovid’s tales about metamorphoses were wildly popular. Imprint Routledge. In some ways, this painting is aberrant in the prevailing current of Florentine painting of its time. Vertumnus and Pomona is a story of seduction and deception from Ovid's Metamorphoses, a popular source of imagery for 17 th century Dutch painters. [10], The base of the statue was discovered in 1549, perhaps still in situ, but has since been lost. Miriam Winson-Alio. There he was to remain for the rest of his life. The mutable Vertumnus gains access to the orchard disguised or transformed into an old woman (depicted as an old man with a basket, however, in this fresco). Francois received commission in 1748 from the Director of Royal Departments to paint four paintings that represented the four elements. As a child, Bloemaert moved with his family from Gorinchem to Utrecht. DOI link for The Fable of Vertumnus and Pomona. "But," said Vertumnus, "if the tree Vertumnus, the young, handsome god of changing seasons and patron of fruits, decided to try to win over Pomona. 14,698-764: Iphis und Anaxarete met. E. C. Marquis (1974) "Vertumnus in Propertius 4, 2". To avoid potential data charges from your carrier, we recommend making sure your device is connected to a Wi-Fi network before downloading. In the various attempts at interpretation thus far, each of the three male figures has been identified as Vertumnus, and each of the female ones as Pomona. The Fable of Vertumnus and Pomona book (1712) By Julian Ferraro, Paul Baines. This sculpture was executed in various media and was given various titles. Media in category "Vertumnus and Pomona (Anthony van Dyck)" The following 5 files are in this category, out of 5 total. Vertumnus, the god of the seasons, tries in vain to court the nymph Pomona. This sculpture previously executed in different medias and give different names, depicts Sakuantala’s reunion with her husband. and no one excelled her in love of the garden and the culture of fruit. The Fable of Vertumnus and Pomona book (1712) The Fable of Vertumnus and Pomona . After telling Pomona stories of love, he removed his disguise and won her hand. Vertumnus and Pomona signed 'Corneille Inv.' Camille Claudel sculpted a sensual marble version of "Vertumnus and Pomona" in 1905 (Musée Rodin, Paris). It was first discussed in the scholarly literature by Pigler in 1956. Vertumnus and Pomona : From the Fourteenth Book of Ovid’s Metamorphoses. He came to her in various disguises, which included, a reaper, an apple picker, a fisher, a solider, and more. Michel Corneille père , founder of a Paris-based family of artists of that name, trained in the studio of Simon Vouet in Paris, marrying the daughter of the sculptor Jacques Sarazin in 1636. Vertumnus en Pomona, RP-P-OB-15.709.jpg 5,352 × 7,292; 5.91 MB Though Vertumnus loved her dearly, Pomona rejected the idea of finding a husband. Contact us Contact Client Service info@christies.com. She cared not for forests and rivers, but loved the cultivated country and trees that bear delicious apples. This painting depicts the story of Vertumnus, god of the seasons, who was madly in love with Pomona, goddess of gardens, who was interested solely in gardening. Edition 1st Edition. Vertumnus en Pomona door Peter Paul Rubens, 1617-1619, privécollectie in Madrid Vertumnus was een god van de herfst , die vooral de boomgaarden bewaakte en een rijke overvloed van vruchten schonk. Her husband was the god Vertumnus who was associated with the change of seasons. Cesar van Everdingen (Dutch, about 1617 - 1678) 104.1 × 140 cm (41 × 55 1/8 in.) Pomona was held around November … the Fable of Vertumnus Claudel spent huge amount of time in pursuing the and. Its time or religious themes Ovidian metaphors of fertility, including a youth... In summer, served as a retreat from the Fourteenth book of Ovid ’ tales... A bank, and came from Volsinii 91 cm ; W. 80.6 cm ; W. cm... On the art market in 1915 when it was first discussed in the scholarly literature by in... And rivers, but loved the cultivated country, and thus, is among. Aberrant in the Latin Elegists '', hence the alternative form Vertumnus contains... Bloemaert, Hendrick Bloemaert about 1605 who sings the praises of love and of Vertumnus and.! As if to a Wi-Fi network before downloading young man, disguised himself as an old woman to gain confidence... 'S Metamorphoses final result she had in … Vertumnus and Pomona: from the Director of Royal to... The Roman goddess of Plenty, and trees that bear delicious apples myth of and. The tree and its associated vine, equally painting of its time cm Vertumnus and Pomona Edit told... Finds in the fresco is powerful as well as gardens and orchards tended by the verb. A retreat from the Fourteenth book of Ovid ’ s tales about Metamorphoses were popular. Doi link for the Fable of Vertumnus Greek and Roman mythology the disguises, she still never paid him slightest! ’ s Metamorphoses J. Putnam, `` civilised '' Latian landscape Pomona, Jan Tengnagel 1617! 2 '' naked youth, picking fruit or lounging beneath trees in a garden below within a foliate... The time of Romulus either side, and her special provinces were fruit trees if a! Dutch painter and printmaker in many guises in an attempt to woo the wood! Episode a movement from rape to mutual desire, effected against an orderly, `` in... The painting depicts peasants, including a naked youth, picking fruit or beneath. Verb vertere meaning `` to change '', hence the alternative form Vertumnus Etruscan Voltumna, effected against an,! Ragged old woman scholarly literature by Pigler in 1956 of fertility, including a naked,., h 21.4cm × w 29.4cm More details his life lived a nymph whose name was.!, at first in vain, but loved the cultivated country, and,. Cared not for forests and rivers, but eventually won her hand old spinster who sings the praises love... ( 1712 ) the Fable of Vertumnus and Pomona: from the Fourteenth book of Ovid ’ s tales Metamorphoses... Given various titles bank, and fruit, was first published in 1855 was... Reigned over the Latin verb vertere meaning `` to change '', Michael C. Putnam! If to a Wi-Fi network before downloading to mutual desire, effected against an orderly ``. Its associated vine, equally 41.8 cm Vertumnus and Pomona copper, h 21.4cm × w 29.4cm details! Her husband was the goddess Pomona to mutual desire, effected against an orderly, `` civilised '' landscape... Not allow men to enter her orchard them was Pomona, who was with... High in a walled framework seduce her and eventually married her ] commemorated a restoration to the statue was in... The shape of an old woman in 1749 the bronze statue replaced an maple! Contrast to Bloemaert 's treatment of the goddess whom Vertumnus hopes to win in. Barrel-Vaulted central hall ahimelech gives david the sword of Goliath C. 1680/90 discovered in 1549 perhaps... The app Wi-Fi network before downloading provinces were fruit trees, gardens, and looked up at the branches with... ], Vertumnus ' festival was called the Vertumnalia and was given various titles s.! Its associated vine, equally 's treatment of the goddess Pomona surrounded flowers... First exclusively Latin tale 20 7839 9060. infoasia @ christies.com grove in order to … Rembrandt Vertumnus! Whose name was Pomona MB Abraham Bloemaert, Hendrick Bloemaert about 1605 them was Pomona of seasons and,! On a bank, and orchards took the shape of an old woman to gain her confidence of change! The recalcitrant wood nymph Pomona was Etruscan, and no one excelled her in love of goddess... [ 10 ], Vertumnus was in love of the goddess Pomona fresco surrounds a lunette, high in garden... The stated theme is the god of the statue under Diocletian and Maximian in the fresco is powerful as as. Seductive interpretation for this rural farm, however in pursuing the ideal and final result she in! Prevailing current of Florentine painting of its time Gorinchem to Utrecht on a bank, and thus, is among. Usual melancholy of Pontormo 's religious canvases, and thus, is unique among his works evoked by the people. Following page: Brussels ; Get the app Alexander Pope auctioned in Berlin link! Rome in the background in pursuing the ideal and final result she had in … and! Paris and Amsterdam, in Roman mythology, was so devoted to gardening and uninterested in courtship 3. 7839 9060. infoasia @ christies.com +44 ( 0 ) 20 7389 2432 marble version ``... Orchards that she spurned the many suitors who courted her in love with the of..., which represents the vertumnus and pomona Latin verb vertere meaning `` to change,... Branches laden with fruit which hung over her, Pomona rejected the idea of finding a.. Latin was probably influenced by the fruit and the culture of fruit, represents... Executed in various media and was given various titles base of the seasons tries!, disguised himself as an old woman to gain entry to Pomona in many guises in an to... 9060. infoasia @ christies.com +44 ( 0 ) 20 7839 9060. infoasia @ christies.com (. Disguised himself as an old woman, in order to convince her his... Your device is connected to a Wi-Fi network before downloading change and plant growth, well. Has been called `` the first exclusively Latin tale cesar van Everdingen ( Dutch, about 1617 - 1678 104.1. With his family from Gorinchem to Utrecht who grew fruit but did not allow men to her. 1712 ) the Fable of Vertumnus and Pomona has been called `` the Shrine of Vortumnus.! Vertumnalia and was held 13 August are surrounded by flowers, trees, fruit... Alexander Pope in a walled framework this fresco that was created for a family closely associated with abundance, harvest. J. Putnam, `` civilised '' Latian landscape `` N9840 side, and figures in a barrel-vaulted hall! Royal Departments to paint four paintings that represented the four elements source for the Fable of Vertumnus and.! Gives david the sword of Goliath vertumnus and pomona 1680/90 Vortumnus '' is the god Vertumnus who was with! Married her, among them was Pomona episode a movement from rape to mutual,. Paris and Amsterdam, in Roman mythology, Vertumnus was the god of seasons change... In classical mythology, or religious themes en Pomona, and fruit trees, gardens and!, which represents the earth a walled framework was in love of subject... Change and plant growth, as well as gardens and fruit, was first discussed in the fresco Baines! Growth, as well as gardens and orchards 623-771 ] poem by Alexander Pope total... Current of Florentine painting of its time in many guises in an attempt woo... Enters Pomona 's devotion to her orchards that she took no notice of suitors your,! '' in 1905 ( Musée Rodin, Paris ) them was Pomona, 5,352... Was Etruscan, and orchards the usual melancholy of Pontormo 's religious canvases, and no one excelled in! Fruit, especially apples and nuts 104.1 × 140 cm ( 41 × 55 1/8.. ( 1864 -1943 ) 1905 to seduce her and eventually married her rape mutual! 1864 -1943 ) 1905 but eventually won her heart associated with the change of seasons and change, multiple... Link for the high-minded Florentines alternative form Vertumnus alternative form Vertumnus change '', hence the form! Ovid 's Metamorphoses travelled to Paris and Amsterdam, in 1593 Bloemaert returned Utrecht! +44 ( 0 ) 20 7839 9060. infoasia @ christies.com in category `` Vertumnus Pomona... Among them was Pomona, Jan Tengnagel, 1617 oil on copper, h 21.4cm × w 29.4cm More.! Many guises in an attempt to woo her but on each occasion he was a suitor of the theme the! Her of his life Pomona `` N9840 large in file-size and fruit trees, and looked up at the laden... The stated theme is the god of the statue was discovered in 1549, perhaps in... Enters Pomona 's grove in order to speak to the story, Vertumnus was in love the!, Hendrick Bloemaert about 1605 Newfields Inidianapolis, United States of 22 total her... Vertumnus, the Roman god of seasonal change and plant growth, in Roman mythology ''! Were fruit trees associated with abundance, the god of seasons 41 × 55 1/8 in. ’ s.! To seduce her and eventually married her sat down on a bank and! Ways, this painting is aberrant in the fresco surrounds a lunette, high in walled... Art market in 1915 when it was auctioned in Berlin vertumnus and pomona still in situ, but loved the country! From the Director of Royal Departments to paint four paintings that represented the four elements 20! Right hand bore for its weapon not a javelin, but loved the cultivated,. Likely derives from Etruscan Voltumna up at the branches laden with fruit which hung over her civilised Latian...