The modded Guild saw most of its action during 72 but was used on occasion throughout the 70's as a backup I think. To expand on my other comment, I think this is the bass he used mainly in 74. Mickey Hart – drums (1967-1971, 1975-1995) As a bonus, Lesh repeated the intro segment two more times as a lead-in to each of the song’s verses. [Audio: Jonathan Aizen]eval(ez_write_tag([[300,250],'liveforlivemusic_com-large-leaderboard-2','ezslot_6',134,'0','0'])); We’re committing a minor sin here by linking to a source that is missing the final three-plus songs of the show, but we had to include this one. The fact that it leads into one of the Grateful Dead’s biggest and best songs certainly doesn’t hurt, either, though whenever folks try to determine a “best-ever” or even a “definitive” version of Phil’s bass intro, things can get slippery. The opening “Shakedown Street”, however, featured Lesh’s new Modulus bass and its looser string tone prominently. Copyright © 2020 L4LM | Website by Computer Courage, few billion less brain cells wouldn’t cure. She was the girlfriend of Phil Lesh of the Grateful Dead, and introduced the two of them — Rick had done an inlay on a bass for Jesse Colin Young, so she thought they’d have something to talk about. The first set alone contains the debuts of “Terrapin Station” and “Estimated Prophet” and a 25-minute odyssey of “The Wheel” dropped into the middle of “Playing In The Band”. Grateful Dead bassist Phil Lesh turns 80 today, and we’re almost as happy about that as he is. You’re doing this thing about Phil and that’s cool. Coverpages. Then, a PA overload resulted in some of Lesh’s loudest-ever blasts during the “fly away” section of “Wharf Rat”, which Weir followed by throwing any remaining restraint overboard and delivering a maniacal “Sugar Magnolia” complete with a short rap about dreams and Aborigines and some near-primal screams at its conclusion. Heart - … So much of a players sound comes from them and the way the play more than what they play. Even the folks that can’t remember being there haven’t forgotten about this one. We love how the elliptical wrap reduces fretting hand noise on our sensitive instruments. The introduction sounded strange without Garcia’s bass-strings riff, but they punched out the chords with gusto, Phil’s voice sounding extra-impassioned in its raspiness but scrambling the beginning/ending of verses 2 and 3. Phil and Dan met (photo) at the June 22 “Phil Lesh & Friends” show in Gilford NH. I'm re-learning John The Fisherman ... Phil Lesh was like 30 years ahead of the curve with the basses he was using. However, we’re probably just as bummed out as he is about the COVID-19 crisis prompting the postponement of this weekend’s run of three Phil & Friends shows at The Capitol Theatre in Port Chester, NY to celebrate the successful installation of Phil Version 8.0. © 2020 reddit inc. All rights reserved. The Grateful Dead were a tired and road-weary band during their final two years of existence in 1994 and 1995. Rendered by PID 26113 on r2-app-03f0558a3525a9de1 at 2020-12-20 23:04:54.173424+00:00 running 406fa40 country code: NL. Keith Godchaux – keyboards (1971-1979) By the early 1980s Lesh had moved to a Modulus 6 string. The bass guitar, electric bass or simply bass, is the lowest-pitched member of the guitar family. What we can do, however, is take a stroll back through his 30 years and 2,314 shows with the Grateful Dead and find 10 shows containing some of our favorite Phil Lesh moments. Throwing Stones Bass Cover Grateful Dead Phil Lesh - Duration: ... You’re Probably Using The WRONG Guitar Strings - Duration: 16:10. The show received an official release as the 1991 show in the “30 Trips Around The Sun” box set from 2015, and pretty much the entire show is one ongoing highlight. As was so often the case, the centerpiece of this show was the big jam in the second set, which kicked off with a beautiful “Dark Star”. Instagram. Dan notes, “Phil arranged for my wife and me to come backstage during their intermission. The band only waited two shows (until the tour’s next stop in Charlotte) to play it again. A Lakland four string has been used during sessions for the Kottke duo albums and a Gibson Thunderbird featured heavily on the 2014 solo disc, Overstep. This show finally received its long-awaited official release in 2019 as Dave’s Picks Vol. Resist the urge to start "gig pic" "bass face" and "family photo" threads. We have lots of common questions with lots of common answers. It's really hard to pin down because his early basses were designed to have a whole plethora of tones. So far, so normal, but after around 15 minutes, the band backed off to create an on-the-spot opportunity for Lesh to deliver one of the most gloriously unkempt bass solos in the history of rock ‘n’ roll. [–]TopFloorBottomBuzzer 4 points5 points6 points 5 years ago (1 child). By the time the band was coming out of the “Space” segment, it had gotten to the point where Weir saw fit to try out his “Bob Star” ditty for a second and final time as a lead-in to a shorter but forceful version of “The Other One”. A rare Bass solo by Phil Lesh. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses.Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. In order to keep things moving and save space, we’re listing the Grateful Dead’s band members and tenures here so we can save space later by referring to the Godchauxs as “Keith” and “Donna” and to everyone else by their surnames: Phil Lesh – bass, vocals (1965-1995) Models overview // The Phil Lesh Eye of Horus Phil Lesh - Eye of Horus. It's an interview with Phil about his tone This is from disc 2 of Dick's Picks vol.34. Gordon on upright during a stripped back Phish set. Lesh's first bass, which he bought at the age of 25, was Gibson EB-0. I also have a heavily modded Guild Starfire, but i have to say most of his signature sounds come from the crazy electronics Alembic cooked up for him. Like Thomastik, Pyramid was another old European company (founded in 1850) focused on strings for the violin family, which expanded into electric guitar and bass strings as demand grew. and join one of thousands of communities. Strings spacing and scales. As the string of choice for Jefferson Airplane/Hot Tuna bass legend Jack Casady and the Grateful Dead’s Phil Lesh during the heyday of the ’60s, Pyramid Golds were part of the psychedelic San Francisco sound. Hello fellow Deadhead. The most visually striking bass in Gordon’s arsenal is his Moiré bass, built by Ben Lewry of Visionary Instruments. Please tag video or audio of you or your band with [Feedback] in the subject line of the post. Tom “T.C.” Constanten – keyboards 1968-70 Sadly, this little classic was retired from the Grateful Dead’s repertoire after only four performances, so we can think of this one as the “deep cut” from this list. I believe he was mainly using the Alembic star bass during that year. This one is widely regarded as one of the best Grateful Dead shows of all time, for so many reasons. At the beginning of the song’s closing jam, he made an unexpected creative decision to start popping his strings funk-style (at about the 8:15 mark of this recording) to the surprise and delight of his bandmates, who responded in kind. This legendary version from Cape Cod Coliseum during Mydland’s first year with the band, however, is the one that makes just about everyone’s shortlist. However, unbeknownst to Lesh, his untrained singing style was slowly damaging his vocal chords, ultimately leading to a self-imposed hiatus from live vocals in 1974 that ended up lasting over a decade. Finally, the band slammed it home with the rock ‘n’ roll via the Chuck Berry classic “Around & Around” and its frantic double-time break. “Box of Rain” remained a staple in the band’s repertoire for the rest of their career and unlike most of the band’s songs, it could and would turn up in almost any part of the show. While Doug Irwin built for Phil as well, he mainly used Alembic and six-string Modulus basses for the rest of his years with the Grateful Dead. This is one of the most famous Grateful Dead shows that has yet to receive an official release, but it’s surely only a matter of time. To my knowledge he was playing a heavily modded Guild Starfire bass with two guild humbucker pickups through a few macintosh amps. *It would be very difficult to overstate the influence that Owsley “Bear” Stanley (1935-2011) had on the Grateful Dead. AXE HEAVEN® Ornamental Miniature Replica Guitars Make Great Gifts -- Especially for a Dead Head! You’re gonna talk about *that*, right?”. [Audio: Jonathan Aizen]eval(ez_write_tag([[336,280],'liveforlivemusic_com-box-4','ezslot_4',133,'0','0'])); One of the best “post-coma” era shows from 1986 to 1995, prompted by jazz saxophonist Branford Marsalis’ third appearance with the band in 18 months. After hearing it for so many decades, I guess I never fully appreciated what he went through until I tried it myself, [–]Ferniff 0 points1 point2 points 5 years ago (0 children). As a bonus, this recording starts off with two songs from that day’s soundcheck, including “Box of Rain”. The first set’s highlights came from the faster, electric version of “Friend Of The Devil” and the extended jams on “Bird Song” and “Playing In The Band”. At its conclusion, Lesh took a then-rare solo accompanied by the drummers, and it’s impossible not to love it—particularly since it led right to the funk and a definitive version of the Grateful Dead’s “disco” arrangement of “Dancing In The Streets” that contained a Garcia guitar solo for the ages. So far, so normal, but after around 15 minutes, the band backed off to create an on-the-spot opportunity for Lesh to deliver one of the most gloriously unkempt bass solos in the history of rock ‘n’ roll. http://www.jambase.com/Forums/Thread.aspx?topic=1&thread=37476, [–]rigorousdouche[S] 0 points1 point2 points 5 years ago (1 child), Thanks, man, I appreciate it. For the people who wonder what bass to get, I’d like to share my advice that my teacher gave me! Whatever “it” was, it prompted one of the most over-the-top second sets in the Grateful Dead’s 30-year history—and “it” may well have been Lesh, who responded to all of the above by dropping a week’s worth of bass bombs in 100 minutes. The band had limited the use of the MIDI technology to the “Space” segment of the show until that year’s fall tour so they could experiment more freely, but on this day Lesh went wild with his new toys about halfway through the segment and generated a truly brain-bending segment of sound overload. This show got an official release as the 1979 show in the sold-out, 80-CD “Thirty-Trips Around The Sun” box set in 2015. We encourage you to report spam posts or posts that violate the rules, but please send a message to the moderators at the same time. The rare jam on the riff of their 1965 song “Caution: Do Not Stop On Tracks” served as the alley-oop pass, and Lesh’s “Other One” intro was a slam dunk that shattered the backboard Moses Malone-style. It is: Alembic Epic bass with flame maple top, DR Sunbeams Alembic F-2B Alembic SF-2 Eden WT-600 (used as a poweramp only) Eden 410XLT cab any help would be greatly appreciated. Posts made outside of the thread will be removed and asked to be reposted. This intro would come and go over the years, and along with Phil’s equipment and playing, it would change and evolve over time. Similarly, please send any comments or critiques to the moderators. One of those highlights was 1995’s biggest bust-out, “Unkroken Chain”, the holy grail for Lesh lushes that had never been played live despite its inclusion on the From The Mars Hotel LP in 1974. This version kicked off the second set, and as he was so often able to do during his time in the band, Hornsby successfully pushed Garcia into playing harder for the rest of the show. For the better part of 50 years, non-Deadheads living in Deadhead-adjacent locations have been learning all about Phil Lesh’s rumbling bass introduction to “The Other One”—whether they wanted to or not. Lesh absolutely steals the second set, however, with his work on the jam that completes “Truckin’”, which led to him taking over for a full bass solo as a lead-in to “The Other One”. Once again, we’ve linked to an audience recording here because the crowd’s cheering after each line is as much a part of this performance as the band’s singing and playing. During this time, Phil also had the task of handling the group’s high vocal harmonies, at which he excelled with his near-perfect pitch. [–]Ferniff 0 points1 point2 points 5 years ago* (2 children). 16:10. Anyway, enough with the preliminaries. Thanks! Maybe it was the torrential thunderstorm that would have stopped this show if it was happening today. "It was terrible," he recalls. New Bass Day (NBD) and Gear posts go into the weekly threads. Rick Beato Recommended for you. The run’s opening night on June 14th got off to a strong start but had to be halted after five songs because of technical issues. It’s always been one of those things that just seemed to make people stop their cassette, rewind it 30 seconds or so, and then turn the stereo up louder before playing it again. Don't use the sub to sell or advertise your gear (with very few exceptions, ask the mods). This version remains our favorite and gets the nod here because this was one of the nine shows Hornsby played with the Grateful Dead band after leaving as a full-time member after the Spring Tour in 1992. Jerry Garcia – lead guitar, vocals (1965-1995) We’re sure that hardcore Lesh lushes will recognize many of them right away, and there are four from the ’70s, four from the ’80s and two from the ’90s. Shortly thereafter, Phil ushered in the second-ever versions of “Eyes Of The World” and “China Doll” to keep things moving for another 25 minutes. Other highlights of this show included the “Here Comes Sunshine” that kicked off the second set and the “Box of Rain”, which had been added back into the live repertoire in the wake of Pigpen’s departure. The momentum carried through to a rip-roaring version of “The Other One”, complete with a great 6-string version of his bass intro and Weir’s manipulated vocals courtesy of soundman Dan Healy. 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